REGENT THEATRE
191-197 COLLINS STREET AND 186-200 FLINDERS LANE MELBOURNE, MELBOURNE CITY
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Statement of Significance
'What is significant?
The Regent Theatre was designed by Cedric Ballantyne and built by James Porter & Sons, and opened in 1929. Ballantyne combined Spanish Gothic and French Renaissance styles to produce one of Victoria's largest and most lavish cinemas in the inter-war period. The auditorium, surmounted by a domed ceiling and flanked by colonnades, provides a handsome spectacle in which, because of careful detail, the large scale of the enclosed space is not immediately apparent. The foyers and promenades are decorated in exaggerated styles, reflecting the ostentatious nature and romanticism of the cinema industry at that time, although they combine to enhance the splendour of the auditorium. The basement-level Plaza Theatre, replete with references to Spanish Baroque and medieval styles, was originally intended to be a Cabaret and was built with side promenades for dining and drinking and with a large central dance floor. But the failure to obtain a liquor license led to its conversion to a cinema. The main auditorium of the Regent was destroyed in a fire in 1945 and rebuilt in 1947 under the direction of Cowper, Murphy and Appleford, architects. The re-creation of the plaster mouldings was the work of James Lyall. Such a large cinema became increasingly costly to run and in 1970 it closed its doors, having been sold to the Melbourne City Council to be redeveloped as part of its City Square project. What followed was 25 years of deliberation and conflict over demolition or restoration plans, before the fully refurbished theatre, resurrected by theatre entrepreneur David Marriner and Allom Lovell and Associates, was re-opened in 1996. The Plaza became a function venue, and the main auditorium a major live theatre venue.
How is it significant?
The Regent Theatre is of historical, social and architectural significance to the State of Victoria.
Why is it significant?
The Regent Theatre is of historical significance as evidence of the character of popular entertainment and culture in Melbourne in earlier decades of the 20th century. Although the theatre no longer hosts films, its grandeur and extravagance are tangible reminders of the excitement of the cinema-going experience in the early years of the cinema industry. Such elaborate theatres made going to the cinema more than just a matter of passively watching a film. The atmosphere and decor of the building was part of the enjoyment, as was the music provided by the Wurlitzer organ, and the Regent soon became one of the most popular social and entertainment facilities in the city. Its popularity was such that after a disastrous fire in 1945 that destroyed the auditorium, the State Government lifted post war building restrictions to allow it to be completely re-constructed, almost as originally designed.
The Regent Theatre is of historical significance because of the major role it played in the development of the cinema industry in Victoria. The Regent was the flagship of the nation-wide Hoyt's cinema chain, which consisted of large, palace-style 'Regents' in every capital and large country town. With the second, separate Plaza cinema in the basement, it was the first, and for many years the only, double cinema complex in Victoria. The Plaza was the first cinema in Australia to install the wide screen Cinerama in 1958. The complex also served as an administration centre for the Hoyt's chain, with the building including offices and a small private viewing cinema.
The Regent Theatre is of historical significance because of its associations with Frank Thring Snr., who established the nation-wide Hoyt's cinema chain in the 1920s and in the early 1930s created 'Efftee Films', Australia's major film production company of the era.
The Regent Theatre is of social significance because of its involvement in the conservation battles of the 1970s that contributed to the creation of Victoria's historic buildings legislation, the first in Australia. The theatre's popularity led to it becoming the subject of Melbourne's longest running conservation debate, when, after closing in 1970, Builders Laborers Federation bans prevented its demolition as part of the development of a long-sought city square. The Regent then remained empty for over 25 years as debate raged over its future and the design of the square. The Plaza was incorporated in the square development, but it wasn't until 1996 that the Regent was reopened after extensive restoration work. The long preservation battle over the Theatre provides an interesting tale of changing attitudes to heritage protection. Originally not considered architecturally significant enough to be incorporated on the Historic Buildings Register in the 1970s, greater acceptance of 20th century buildings and of the concept of social and historic significance as distinct from architectural significance, led to the registration of the theatre in 1988. The heritage battles that were fought over the Regent and other historical buildings in the early 1970s forced the State Government to introduce a system to register and protect historic buildings in 1974.
The Regent Theatre is of architectural significance as one of the best surviving examples of an inter-war period picture palace in Australia. Its imaginative combination of styles and sumptuous and spectacular interior spaces are a fine example of cinema architecture, providing an early 20th century example of architecture purely in the service of entertainment.
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REGENT THEATRE - History
Contextual History:History of Place:
Historically, the Regent is the largest of the six most important 1920s 'picture-palaces' that remain in Australia. It is the largest palace-style interior, like the Sydney State and the much plainer Palais in St. Kilda. It contrasts to the rarer night sky 'atmospheric' effects of the Melbourne State (originally the largest but reduced in the 1960s when it became the Forum) and the matching Sydney Capitol, or the unique crystalline cave-like interior of the Melbourne Capitol (also altered).
Associated People: Assoc.People F W THRING
Cowper, Murphy & Appleford (reconstruction in 1947)REGENT THEATRE - Permit Exemptions
General Exemptions:General exemptions apply to all places and objects included in the Victorian Heritage Register (VHR). General exemptions have been designed to allow everyday activities, maintenance and changes to your property, which don’t harm its cultural heritage significance, to proceed without the need to obtain approvals under the Heritage Act 2017.Places of worship: In some circumstances, you can alter a place of worship to accommodate religious practices without a permit, but you must notify the Executive Director of Heritage Victoria before you start the works or activities at least 20 business days before the works or activities are to commence.Subdivision/consolidation: Permit exemptions exist for some subdivisions and consolidations. If the subdivision or consolidation is in accordance with a planning permit granted under Part 4 of the Planning and Environment Act 1987 and the application for the planning permit was referred to the Executive Director of Heritage Victoria as a determining referral authority, a permit is not required.Specific exemptions may also apply to your registered place or object. If applicable, these are listed below. Specific exemptions are tailored to the conservation and management needs of an individual registered place or object and set out works and activities that are exempt from the requirements of a permit. Specific exemptions prevail if they conflict with general exemptions. Find out more about heritage permit exemptions here.
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FORMER BAPTIST CHURCH HOUSEVictorian Heritage Register H0003
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EAST MELBOURNE SYNAGOGUEVictorian Heritage Register H0495
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ST PETERS EASTERN HILL PRECINCTVictorian Heritage Register H0009
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"1890"Yarra City
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"AMF Officers" ShedMoorabool Shire
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"AQUA PROFONDA" SIGN, FITZROY POOLVictorian Heritage Register H1687
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'YARROLA'Boroondara City
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1 Bradford AvenueBoroondara City
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